How To Create A Dj Scratch Loop In Ableton Live
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- Click and drag up or down in any of these fields. Click and type a number, then hit Enter. Click and decrement or increment the value with the up and down arrow keys. Arrangement playback can be started at a particular point in one of your clips using the scrub area in the Clip View (see Chapter 8).
- Add that special Dj touch to your music instantly with the turntable scratches and FX, add that Dj touch that is heard in just about everything these days. Produced by the creators of Dj Puzzle Scratch Tactics. 42 Scratch Loops 16 bit 44.1 kHz Stereo. Turntable Scratch Loops Consists Of: – 42 Loops 16 bit 44.1kHz Stereo files.
- How To Create A Dj Scratch Loop In Ableton Live Free
- Dj Scratch Turntables
- Dj Scratch Video Game
- How To Create A Dj Scratch Loop In Ableton Live Download
One of Ableton Live's early selling points was how capable it was at working with loops. And while it's gained countless more features over its lifetime, looping is still very much at the heart of the workflow. In this short video from the course Live 9 410: Looping With Live, Ableton expert DJ Kiva explains how MIDI looping is one of the best ways to get started when you are exploring composition using the software.
Starting with the very basics, Kiva shows you how to set up your system to receive MIDI input, then load an instrument and trigger it using MIDI. You'll then see how to perform a finger drummed pattern using an 808 kit. You're then ready to move on to the other videos in the course where you will learn more advanced looping techniques!
Select the instrument in track header area. Tap on Mixer Button and check if the Merge button is ON. Optimize your Quantization settings by Tapping on Quantize Button. To record the first part of Drums, Tap Record, when you are done. Repeat the process. Ipad air garageband tutorial.
Jun 04, 2016 To select your interface in Ableton choose: Options Preferences Audio. Under the audio device section, select your audio interface from the drop down menu. If there is a driver associated with your interface, you will need to select the appropriate driver as well from the drop down menu.
Live 9 410: Looping With Live
Looping is an art form in itself. Using live looping devices, many artists (Robert Fripp, Ed Sheeran, Imogen Heap, Reggie Watts comes to mind) are able to create complex sonic landscapes in real time on stage. But no special hardware looping devices are required… In this 20-tutorial course, performer and trainer DJ Kiva shows how you too can build your own looping soundscapes using Ableton Live!
First, DJ Kiva gives an overview of the required equipment and explains how to set it up for live performance. Next, he explains all about MIDI looping. Watch as he builds a funky arrangement, complete with beats, piano, bass and melodies. Then, Kiva covers the art of audio looping, where you learn how to set up Ableton Live for optimum audio performance, how to enhance your tracks with effects, how to use the Looper device in Live, how to free up your hands using foot switches, and a lot more. After watching this course, you will be able to build an entire piece of music, layer by layer!
So join DJ Kiva in this practical performance-driven course, and start building your own loop-based musical creations! Get ready to loop .. loop .. loop ..
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The art form of scratching has been around for several decades and first came to prominence shortly after the birth of turntablism in the mid 1970s. With the emergence of digital DJing however, it seemed like scratching would die a quick death. Luckily this wasn't the case as many jog wheels on today’s DJ Controllers are more than capable of producing that vinyl scratch sound. So where do Ableton DJs fit in? Well if you have one of these aforementioned DJ controllers or indeed a turntable itself, then you can easily incorporate scratching into your Live sets. In fact for beginners, Ableton possesses a unique advantage over solely using a jogwheel or turntable type setup. Let's take a closer look.
Now we aren’t going to get into the ins and outs of scratching, but if you are a relative novice who wants to add professional sounding scratches to your sets then you may very well find this trick useful.
Mastering scratching take a lot of practice, most notably the ability to coordinate your ‘record’ hand (which does the scratching) and your mixer hand (which uses the crossfader to cut the audio in and out to tighten up your sound. Using the crossfader creatively also adds more rhythmical patterns to your scratches. If mastering this seems too daunting to start with, there is a workaround in the form of Ableton’s clip automation. By using a dummy clip in Live, you can draw volume envelopes beforehand to automatically act as the crossfader while you scratch live. Now before traditional turntablists shout insults at me, I’m not advocating this should replace the skill involved in using the crossfader. However it is a great way to achieve great sounding scratches by solely using your record hand, leaving your other hand free for adding FX, finger drumming or even waving at the crowd.
Setup
Firstly it is important to be set properly for scratching. On my controller I will have my hot cue set to the start of a clean isolated sound, usually a vocal accapella. It is also a good idea to set the other cue buttons on your controller to the start of other suitable sounds so you can switch between scratch sounds on the fly. (I use the Reloop Beatpad as its jogwheels excellently replicate the sound of vinyl manipulation when touched. Also its integration with DJay and Spotify means that I now have access to 20 million songs.)
In Ableton, along with my normal audio /MIDI tracks in my set, I like to create a separate track to host the live scratch sound. To route the audio from your scratching source to this track in Live you will need an audio interface with at least two inputs. Connect the outputs of your turntable/controller to these inputs and configure the I/O settings as shown below and record enable the track. You should now hear your scratch audio coming through to Live.
You will then need to route this audio to another track on which the ‘crossfader’ clip can be placed. Duplicate the track and set the new track to receive the audio from the original track. Set ‘Monitor’ to ‘In’ on the new track and ‘Monitor to ‘Off’ on the original. Next place a clip with no audio on the new track and set the loop to four bars.
Launch the clip and start to scratch. The audio won’t be affected as the clip’s volume envelope hasn’t been touched yet. We will soon change that. In the clip’s Clip View click the envelope button. From the Envelope pane choose Mixer and Volume from the relevant drop-down menus. We will start off by drawing in a simple pattern. Use the pen tool (the keyboard shortcut is B) to cut out the volume every 1/8th note. Launch the clip again and scratch in time with the beat (a forward scratch every 1/4 note is a good starting point) The audio will now drop out every time you move the jogwheel back to the start position as it would if you were to use the crossfader to cut out the sound in this way.
Next duplicate the clip but on this version cut out the volume every 1/16 note on the clip. Launch the clip and start to scratch, this time with a forward scratch every 1/8 note. You should be left with a very quick, tight scratch sound.
Same scratch with 16th note automation:
You can hear from the above examples that the second clip is a lot tighter and cleaner sounding.
Experimentation
In order to get the best sounding scratches in your live set, you will need to do some experimentation beforehand to see which envelope patterns work best with which type of scratches. For example, you could leave just the attack of every scratch so you get that stab scratch sound or perhaps let the sound last a bit longer to get a chirp scratch. You could also draw in combinations of scratches until you find the perfect fit. The world is your oyster.
Have a listen to your scratches without the dummy clip and try to determine which parts of the sound would be best left in and which would be chopped out. When finished you should have a list of clips that you can launch on the fly while scratching. Your crossfader hand has nothing else to do after all.
This is what a more advanced scratch sounds like with no automation:
This is what the same scratch sounds like with the automation as shown in the pic:
How To Create A Dj Scratch Loop In Ableton Live Free
Dj Scratch Turntables
Dj Scratch Video Game
The possibilities are of course endless and with bit of practice and preparation, you can really use these ‘scratch’ dummy clips to add an extra dimension to your Live sets. As mentioned, it shouldn’t be used as replacement for the crossfader but could be thought of as a performance enhancement tool or learning aid to becoming a scratching master.